Eyes on the Road Marginal empathy review by Līga Požarska review by Līga Požarska Through an intelligently written script Stefanie Kolk confronts different takes on a tragedy and friendships being tested.
Apfelmus Tell me how to live review by Michiel Philippaerts Alexander Gratzers ‘Apfelmus’ seems to be a direct commentary on a very specific and age-old human feeling of Sehnsucht: “Oh, imagine the joy o …
Enough we've all had enough sometimes review by Vladan Petković So far the shortest Audience Favourite of 'My Darling Quarantine Short Film Festival' at two minutes and twenty-two seconds running time, …
Quarantine I hear dancing in the cage review by Līga Požarska ‘Clarity, simplicity and passion’ is an identity motto for the Dailes Theatre in Riga, Latvia. Astrid Goldsmith’s stop-motion animation film …
Hotel Rienne Same as it ever was review by Laurence Boyce It’s been said that comedy is tragedy plus time. If that’s true then — as this is being written a few months into the Covid-19 crisis – we better …
9023 Soylent Green is people! review by Laurence Boyce Because of a severe famine that affects the whole country, the government is allowing non-productive citizens to be eaten.
All Inclusive Utopiyin, Utopiyang review by Sanne Jehoul Corina Schwingruber Ilić attempts not to judge, but she offers an astute and droll commentary on passive consumerism and commodification of …
