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Yellow Bus

Metaphoric Realism

review by Amarsanaa Battulga

review by Amarsanaa Battulga

Arguably the most socially conscientious filmmaker in Mongolia today, Zoljargal Purevdash blends in her films a humanistic impulse with …

Mulika

Yesterday’s future

review by Jason Todd

‘Afrofuturism’, a term originally coined by cultural critic Mark Dery in his 1994 essay ‘Black to the Future’ [1], is one cinephiles, …

Little Bird's Diary

A lifetime of seeing

review by Chris Childs

‘Little Bird’s Diary’ depicts the life of Irina Pilke, an artist who kept an illustrated diary for most of her life. Irina’s story spans a …

The Sower of Stars

Harvesting Landscapes (Within)

review by Bo Alfaro Decreton

“If we opened up people, we’d find landscapes. If we opened up me, we’d find beaches,” Agnès Varda infamously said in ‘Les Plages d’Agnès’ …

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“I wanted to make a film that was about the political ghosts of Brazil, the ones that linger on the landscape.”

— Janaina Wagner

interview by Savina Petkova

interview by Savina Petkova

‘Curupira and the Machine of the Destiny’, which screened at the London Short Film Festival’s International Competition, is one of the most …

“I want to destroy the …

— Jonas Erler

At the 33rd FILMFEST DRESDEN, the initiative ‘Connecting Talents’ made young filmmakers from Germany and the Visegrád states come together …

Breaking The Norm

A conversation with Pedro Neves Marques

interview by Līga Požarska

Pedro Neves Marques talks about their latest short film, 'Becoming Male in the Middle Ages', which celebrates its North-American premiere …

Faking The Truth

A LOOK AT THE OEUVRE OF AUSTRIAN FILMMAKER CHRISTOPH SCHWARZ

interview by Susanne Gottlieb

Austrian filmmaker Christoph Schwarz knows how to unravel pointed observations of life and society by playing ironically with elements of …

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About Talking Shorts


Talking Shorts is an independent online film magazine dedicated to short films. Our goal is to make shorts more visible and to create a wider discourse about the art form.

We're the official outlet of The European Network for Film Discourse (The END), which is supported by the Creative Europe Programme — MEDIA of the European Union.

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