Different perceptions of technology serve as a starting point for uncovering intergenerational conflicts and long-forgotten family threads in Anastazja Naumenko’s animated desktop documentary.

In Their Eyes, screen recordings testify to the experience of online micro-workers from the ‘Global South’: their job is to train AI for self-driving cars to navigate the streets of the ‘Global North’—a labour process that, by design, steers towards a real abstraction, and a looping nightmare.