With an unpretentious approach to existential questions, Finnish filmmaker Hanna Hovitie offers a perfect example of what humility can do in art.
In this Finnish sci-fi love story, Ingmar Bergman’s Scenes from a Marriage meets Philip K. Dick’s philosophies on the existence of android souls.
There is something in these characters that writer-director Risto-Pekka Blom feels compelled to denounce and it soon becomes evident who his real targets are.
The Killing of Čáhcerávga is not one, but five films. Each a manifesto, these films—like chapters in a book—form a cross-section of questions and statements on indigeneity, otherness, and longing.
