France

Elegant and deeply human, Atsushi Hirai’s Oyu is a carefully constructed homecoming haunted by loss.

In exploring humankind’s intimate relationship with artificial intelligence, Inès Sieulle exposes our prejudices and tendencies as a species more than anything else.

In Eglė Davidaviče’s deeply personal film, the exploration of self-acceptance is intrinsically connected with community.

No hollow performances of masculinity to mask the realities of grief in Guillermo García López’s Roma family tale. By exploring insecurities, his coming-of-age story becomes a metaphysical quest for reassurance.

In an attempt to tell a universal story, Nienke Deutz’s The Miracle arrives only at vagueness.

An unapologetic coming-of-age tale, La Perra dives straight into the paradoxes of female desire. A lonely and sometimes hurtful experience.

Francesco Sossai builds a queasy claustrophobia in the neo-giallo The Birthday Party.

Alice Brygo mixes documentary footage with computer-generated imagery to produce an intriguing, genre-defying admixture of realism and the surreal.

Two nun-like identical twins go silently through life in an almost unconscious state, portrayed by two elegant actors that patiently wait for their portraits to be drawn.

Feminism and sex triumph at the same time in Flóra Anna Buda’s big winner of the Cannes, Annecy, and Sarajevo short film prizes.

A gruesome and eerie stop-motion fairytale, aesthetically influenced by the Brothers Grimm

In his short film debut, Stephen Vuillemin explores parasocial relationships, highlighting the pervasive feeling of surveillance that has become increasingly prevalent in our digital age.

Caroline Poggi and Jonathan Vinel’s striking visual poem proves how our capitalist way of thinking is unfit for human life and its sustainability.