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Do You Read Me: The Dissemination Of Film Criticism Across Media
Panel Talk

with Sanne Jehoul,
Fedor Tot,
Anne Gaschütz,
Ren Scateni
published in Discussions
published on 30.09.2023
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What is the current state of writing about cinema? How do reviews, articles, and publications influence audience reach nowadays? If film criticism as we used to know it is dying, what about short film criticism? Has it ever been alive?

Moderated by Encounter Film Festival’s Ren Scateni, who is joined by Sanne Jehoul (Square Eyes), film critic Feder Tot and Talking Shorts co-founder Anne Gaschütz.

Produced by Encounters Film Festival, in collaboration with Talking Shorts

 
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Mentioned Films

Footnotes

Participants

Sanne Jehoul.

Sanne Jehoul is an arts worker focused on moving image curation, programming, festival strategy, and talent development. She currently leads on the talent support programme at BFI Doc Society, and before this headed up the programme at Glasgow Short Film Festival as well as managing the short film slate of sales and festival distribution agency Square Eyes. She has worked with multiple festivals across Europe in programming, selection, and production, and sat on international festival juries and panels as well as hosting filmmaker conversations and masterclasses. She sits on the board of Kortfilm.be.

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Fedor Tot. More
Anne Gaschütz.

Anne Gaschütz is a festival organiser and programmer. She joined Filmfest Dresden in 2013 as part of the selection committee and became the festival’s co-director in July 2020. In 2021, she joined the Pardi di Domani selection committee at the Locarno Film Festival. She is also one of the initiators of Talking Shorts, an online platform that focuses on short film criticism. Gaschütz is a member of the European Film Academy.

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Ren Scateni.

Ren Scateni is a writer and film curator whose practice embraces experimental and artists’ moving image works exploring the interstices of political, disruptive, and liminal identities. Their writing has appeared in ArtReview and ArtReview Asia, Hyperallergic, MUBI Notebook, and Sight&Sound. He was Head of Programme at Encounters Film Festival and has curated programmes for national and international art centres and festivals, including the Barbican, Filmfest Dresden, and Short Waves.

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Short films are key to cinematic innovation. Because of their brevity, they allow filmmakers to react to the world around them more instinctively and showcase a stunning range of artistic expressions. As a magazine dedicated to short films, Talking Shorts aims to create a wider discourse about this often-overlooked art form.

We strive to produce universally readable content that can inspire, cultivate, and educate a broad range of audiences, from students and scholars to non-cinephile readers, in an attempt to connect filmmakers, audiences, festival organisers, and a young generation of film lovers who might not yet know what short films are or can do.

Since 2023, Talking Shorts is the official outlet of The European Network for Film Discourse (The END), which consists of 8 unique and diverse European film festivals and is funded by the Creative Europe MEDIA Programme of the European Union. Our work and publications are closely connected to the (European) film festival landscape.

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