Through a composite montage of images from surveillance footage and body-cams, Bill Morrison delivers a chilling political investigation in search of the truth after a man is killed by police on the street.
Photos from a family album reveal a city that perhaps used to exist. Sara Rajaei anchors these images not fully in reality but instead extracts the poetry from them.
A constant bombardment of stimuli, Stephen Lopez’s dystopian talking fish bromance is all the more interesting for its political undercurrents.
Director-actor Kayije Kagame takes control of her own narrative, shifting our perspectives on Black agency in this blend of magic and social realism.
William E. Jones blends archival manipulation and incisive critique on sexual labour into a stimulating piece of video art.
A visual history of protest and grief, and a chronicle of the public square as an immutable witness to a cycle of revolt.
Alice Brygo mixes documentary footage with computer-generated imagery to produce an intriguing, genre-defying admixture of realism and the surreal.
Neozoon’s collage explores the worldview of fundamentalist evangelicals in the United States of America.
In the north of Colombia, a group of queer activists use extravagant performative actions to denounce the disastrous exploitation by the country’s largest coal mine.
Caroline Poggi and Jonathan Vinel’s striking visual poem proves how our capitalist way of thinking is unfit for human life and its sustainability.
Randa Maroufi offers a look through the cracks of a social issue that usually remains underexposed. Her radical formalistic choices might simplify the problem for the greater good, yet never lose sight of the individual tragedies.
Cross-referencing politics and body politics, reproduction and pandemics, Isadora Neves Marques creates a juxtaposition between a warning dystopia and a dangerous reality.
