In exploring humankind’s intimate relationship with artificial intelligence, Inès Sieulle exposes our prejudices and tendencies as a species more than anything else.
An exploration of the emotional divide between fiction and reality in the American sitcom, Philip Thomson’s Living Reality questions how we consume images at large.
Shot in vivid 16mm, Barcelona native Christian Avilés turns a piercing gaze on young British holidaymakers, creating a reverie of surreal seduction out of the real-life phenomenon of balconing.
In his satirical take on reality TV, Sonny Calvento blends campy imagery with melodramatic plot twists.
Neozoon’s collage explores the worldview of fundamentalist evangelicals in the United States of America.
A strident critique of Germany’s relationship with some of today’s social and political realities at home and abroad, awarded the Alice Guy Prize at FIDMarseille.
Another look at Ruben Östlund’s Golden Bear-winning short film from 2010.
There is something in these characters that writer-director Risto-Pekka Blom feels compelled to denounce and it soon becomes evident who his real targets are.
Leonardo Martinelli’s Locarno Golden Leopard winner Neon Phantom is surprisingly as entertaining and watchable as it is urgent and harrowing.
In the face of reality’s horror show and an Earth engulfed by flame, Wong Ping delivers pointed critiques, as laser focused as any satirist working in cinema.
A humorous and quietly sharp observational documentary set aboard a cruise ship.
A dark satire look at the (possible) end of the world through the prism of middle-class and middle-aged malaise.
