Gaza, December 2023. A confrontation with a disturbing photograph on social media triggers questions about what it means to be an onlooker in Miranda Pennell’s concise desktop documentary.
Douwe Dijkstra’s films are always simultaneously making-ofs, as he lifts the curtain on movie magic that employs green screen.
Two Falangists have come to disturb the domestic evening rituals of Paz and her family. Pedro Peralta’s talent celebrates the dignity of his fearless protagonist.