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The Usual Suspects
Panel Talk

with Daniel Hadenius-Ebner,
Anne Gaschütz,
Massimiliano Nardulli,
Rich Warren,
Enrico Vannucci
published in Discussions
published on 23.11.2018
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On a lazy afternoon in Spring 2018, a Facebook post penned by Massimiliano Nardulli stormed the usually relatively peaceful social media timeline of many (short) film festival programmers. He wrote:

“I’m very troubled by the role of film festivals in some countries. As a programmer who has been doing this job for around eleven years, I’m surprised to observe that not only do some festivals not help that much with the development of different cinematographic approaches for new filmmakers, but they also make a strong contribution to destroying the storytelling and the connection with a larger audience. The industry might end up having festivals showcasing films only of the “usual suspects” of the festival circuit—the friends and the friends of the friends, the followers of the sacred word of festival gurus, and the copycats of the so-called new cool wave. I’m afraid this will become a glass bead game of complacency and self-centredness.”

During this panel discussion, the crux of his statement is tackled: Are major short film festivals all showing the same films? Listen to what Daniel Hadenius-Ebner (Vienna Shorts), Anne Gaschütz (Filmfest Dresden), Massimiliano Nardulli (TSFM, Less Is More) and Rich Warren (Encounters Film Festival) had to say. Moderated by Enrico Vannucci.

Produced by Talents and Short Film Market

 
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Mentioned Films

Footnotes

Participants

Daniel Hadenius-Ebner.

Daniel Hadenius-Ebner is the co-founder and Artistic Director of Vienna Shorts – International Short Film Festival. He has a Master’s degree in Political Science and studied Cultural Studies and Film Studies in Vienna and Berlin. Daniel has been cultural editor and film critic at APA Austrian Press Agency for many years. He is the co-producer of the football short-film reel Eleven Minutes (A/CH 2008), a film advisor for the city of Vienna and the state of Vorarlberg, co-founder of the Association of Austrian Film Festivals as well as of the initiative Fair Festival Work Now, and also works as a film and film art curator. In 2020 he co-founded Talking Shorts.

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Anne Gaschütz.

Anne Gaschütz is a festival organiser and programmer. She joined Filmfest Dresden in 2013 as part of the selection committee and became the festival’s co-director in July 2020. In 2021, she joined the Pardi di Domani selection committee at the Locarno Film Festival. She is also one of the initiators of Talking Shorts, an online platform that focuses on short film criticism. Gaschütz is a member of the European Film Academy.

More
Massimiliano Nardulli. More
Rich Warren. More
Enrico Vannucci. More

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The Usual Suspects — Talking Shorts

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Short films are key to cinematic innovation. Because of their brevity, they allow filmmakers to react to the world around them more instinctively and showcase a stunning range of artistic expressions. As a magazine dedicated to short films, Talking Shorts aims to create a wider discourse about this often-overlooked art form.

We strive to produce universally readable content that can inspire, cultivate, and educate a broad range of audiences, from students and scholars to non-cinephile readers, in an attempt to connect filmmakers, audiences, festival organisers, and a young generation of film lovers who might not yet know what short films are or can do.

Since 2023, Talking Shorts is the official outlet of The European Network for Film Discourse (The END), which consists of 8 unique and diverse European film festivals and is funded by the Creative Europe MEDIA Programme of the European Union. Our work and publications are closely connected to the (European) film festival landscape.

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