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Talking Shortstalkingshorts.com

Uppsala Short Film Festival
20—26.10.2025

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The first snow of the year. The cinema of Ingmar Bergman’s childhood. Long conversations about films in the festival bar. And rather expensive beer (as everywhere in Sweden), which probably only guests coming from Switzerland and Norway order without a moment’s hesitation. These are some of the first associations that come to mind when thinking about the international short film festival in Uppsala, a small and somewhat sleepy university town not far from Stockholm.

And indeed, Uppsala is a special case in the European short film festival landscape. Because rarely is there a festival where you pretty much know in advance what you’re going to get – and where what you get is almost always pretty great. The venues, it feels like, have been the same for ages; the hangout spots are within walking distance; and the film selection is mostly exquisite (with some extravagant outliers thrown in for good measure).

On the one hand, this may be due to the fact that the festival already has 40 years under its belt and thus simply brings with it a wealth of experience (including the enviable early step of securing the domain shortfilmfestival.com for the festival). On the other hand, this mixture of routine and familiarity is certainly also a result of the well-coordinated team around Niklas Due Gillberg, Christoffer Ode, and Sigrid Hadenius-Ebner, who, year after year, caringly put together a diverse and challenging film and seminar program—the details of which are then, of course, discussed with relish at the bar.

Text by Daniel Hadenius-Ebner

Reading List

}
Recall, Restore, Sew It Together

Sewing Machine by Ülo Pikkov

Review by Aušra Umbrasaitė, Saara Mildeberg, Davis Suharevskis
}
Digital Witnesses

Man Number 4 by Miranda Pennell

Review by Patrick Gamble
}
Protecting the Palestinian Narrative
A Conversation with Gaza Film Unit’s Eslam Saqqa and Ayman Alazraq
Interview with Eslam Saqqa, Ayman Alazraq by Sanne Jehoul
}
Affectionate Counter-Narratives
Elahe Esmaili on A Move
Interview with Elahe Esmaili by Savina Petkova
}
Utopia, Lost

City of Poets by Sara Rajaei

Review by Dora Leu
}
Flowing Femininity

The One Who Knows by Eglė Davidavičė

Review by Grete Kaio, Liene Helēna Nugumanova, Kamilė Zinkevičiūtė
}
Blurred Lines

The Oasis I Deserve by Inès Sieulle

Review by Yan Guan Rosanna Suter
Noir-Soleil}
Under The Volcano’s Crater

Noir-Soleil by Marie Larrivé

Review by Niv Fux
}
Words And Meat

Steakhouse by Špela Čadež

Review by Chris Childs
}
Love and Fiction, Our Saviours!

Flores del otro Patio by Jorge Cadena

Review by Savina Petkova
Daydreaming So Vividly About Our Spanish Holidays}
Empire of the Sun

Daydreaming So Vividly About Our Spanish Holidays by Christian Avilés

Review by Olivia Popp
Hardly Working (Total Refusal, 2022)}
Film Or Elevated Video Game Critique?

Hardly Working by Total Refusal

Review by Vladan Petković
}
Desiring Young Woman

27 by Flóra Anna Buda

Review by Savina Petkova

Reading List

}
Attention Heist

The Un-chaotic Cabinet That Wishes For Me To Sleep by Cilian Laurence Green

Review by Mac Andre Arboleda
}
The Quiet Force of Introspective Filmmaking
On the Works of Antoinette Zwirchmayr
Essay by Laura Stoeckler
Remember How I Used to Ride a White Horse}
Apathy’s Grip

Remember How I Used to Ride a White Horse by Ivana Bošnjak Volda, Thomas Johnson Volda

Review by Laura Stoeckler
Skinned}
If You Can Dream It, You Can Do It

Skinned by Joachim Hérissé

Review by Ionna Micha
}
See Through People

The Miracle by Nienke Deutz

Review by Daria Janke

Reading List

Hardly Working (Total Refusal, 2022)}
Film Or Elevated Video Game Critique?

Hardly Working by Total Refusal

Review by Vladan Petković
backflip}
8.640 Jumps A Day

backflip by Nikita Diakur

Review by Jason Todd
Nest}
Carved in Time

Nest by Hlynur Pálmason

Review by Niv Fux
Neighbour Abdi}
Green Screen Gringo Comes Into His Own

Neighbour Abdi by Douwe Dijkstra

Review by Vladan Petković

Reading List

Love, Dad}
A Prison of Letters

Love, Dad by Diana Cam Van Nguyen

Review by Michiel Philippaerts
Neon Phantom (Leonardo Martinelli, 2021)}
Not Even Neon Makes Them See Us
Deconstructing Realism In The Modern Day
Essay by Laurence Boyce
Neon Phantom}
On The Altar Of Convenience

Neon Phantom by Leonardo Martinelli

Review by Sanne Jehoul
Noir-Soleil}
Under The Volcano’s Crater

Noir-Soleil by Marie Larrivé

Review by Niv Fux
}
Chasing Acceptance

Tracing Utopia by Catarina de Sousa, Nick Tyson

Review by Līga Požarska

Reading List

}
Memory Ashes

Maalbeek by Ismaël Joffroy Chandoutis

Review by Inge Coolsaet
}
Crime & Solidarity

Dummy by Laurynas Bareisa

Review by Līga Požarska
}
Nervous Anticipations

The Bite by Isadora Neves Marques

Review by Līga Požarska
The End of Suffering (A Proposal)}
Of Consolation And Constellations

The End of Suffering (A Proposal) by Jacqueline Lentzou

Review by Michiel Philippaerts
}
Water as conductor

The Unseen River by Phạm Ngọc Lân

Review by Bo Alfaro Decreton

Reading List

}
Tribal belonging

All on a Mardi Gras Day by Michal Pietrzyk

Review by Līga Požarska
}
Tell me how to live

Apfelmus by Alexander Gratzer

Review by Michiel Philippaerts
}
Future Nostalgia

Past Perfect by Jorge Jácome

Review by Bo Alfaro Decreton
Something To Remember}
Both Portrayal and Fable

Something To Remember by Niki Lindroth von Bahr

Review by Jue Yang
Symbiosis}
Patterns Of Modern Jealousy

Symbiosis by Nadja Andrasev

Review by Līga Požarska
}
Marginal empathy

Eyes on the Road by Stefanie Kolk

Review by Līga Požarska

Reading List

}
Extra-Terrestrial Inversion

The Hymns of Muscovy by Dimitri Venkov

Review by Ricardo Brunn
All Inclusive}
Utopiyin, Utopiyang

All Inclusive by Corina Schwingruber Ilić

Review by Sanne Jehoul
}
Skirts Without Scots

Juck [Thrust] by Olivia Kasterbring, Julia Gumpert, Ulrika Bandeira

Review by Susanne Meisenberg
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Uppsala Short Film Festival — Talking Shorts

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Short films are key to cinematic innovation. Because of their brevity, they allow filmmakers to react to the world around them more instinctively and showcase a stunning range of artistic expressions. As a magazine dedicated to short films, Talking Shorts aims to create a wider discourse about this often-overlooked art form.

We strive to produce universally readable content that can inspire, cultivate, and educate a broad range of audiences, from students and scholars to non-cinephile readers, in an attempt to connect filmmakers, audiences, festival organisers, and a young generation of film lovers who might not yet know what short films are or can do.

Since 2023, Talking Shorts is the official outlet of The European Network for Film Discourse (The END), which consists of 8 unique and diverse European film festivals and is funded by the Creative Europe MEDIA Programme of the European Union. Our work and publications are closely connected to the (European) film festival landscape.

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