Archive

An exciting addition to the already rich and engaging filmography of Polish animation auteur Katarzyna Miechowicz.

In her debut film, Maria Estela Paiso presents a walk down memory lane as a horror show. The end of the world is nigh and frogs are raining down from the sky.

Diana Cam Van Nguyen’s festival hit is a personal story that becomes one of intergenerational and -cultural confrontation.

Ismaël Joffroy Chandoutis’ Maalbeek—part collage film, part experimental video art—challenges the documentary genre.

A father and daughter walk through a dark forest at night, listening to mysterious noises and looking up at the stars in Lizete Upīte’s delightfully minimalistic film.

Focusing on a boy who finds dark spots covering his arms, Sarina Nihei’s narrative expands into a vast conspiracy.

With its contourless, bright, and lively 3D animation, Sierra captures the microaggression that is undeniably present in every example of parental expectations, and does so in a genteel way.

Niki Lindroth von Bahr's Something to Remember portrays the anguish experienced by a highly developed society and its pessimism towards an inevitable demise.

This devious domestic animated drama from the acclaimed Špela Čadež seems enthusiastically committed to realist cinema.

In Symbiosis, Hungarian animator Nadja Andrasev tells the story of a deceived wife who starts a bizarre investigation of her husband’s infidelities.

In the face of reality’s horror show and an Earth engulfed by flame, Wong Ping delivers pointed critiques, as laser focused as any satirist working in cinema.

Carlos Gómez Salamanca tells an intensely personal drama, a complete life trajectory, reflecting on a turbulent societal condition.