Archive

Not sure where to look and cut, Jasna Safić’s portrait of an old man suffering from a mental illness makes up for its shortcomings by embracing a selfless humanity.

Rita Barbossa presents a woman in need for real connection and underlines the right to embrace the pleasures of life without shame.

Through symbolism and suggestive framing, Zoljargal Purevdash tells a story of contemporary Mongolia’s troubles.

Nikita is a young teenager and a real techno music aficionado. Berlin is calling in this Eastern European love child of Gaspar Noé’s Climax and Xavier Dolan’s Mommy.

The past is inescapable for the protagonists in Marie Larrivé’s Noir-Soleil, in which the filmmaker wants us to pay close attention to “unmoments”—seemingly unimportant short occurrences where the characters stare into space or an animal moves between the bushes.

In Doytcheva’s account of Bulgarian queer life, we are constantly reminded that identification does not have to be tied in to subjective manner of narrating.

Portuguese filmmaker Diogo Costa Amarante’s follow-up to his Golden Bear-winning 2016 short Small Town with a more straightforward celebration of the power of friendship.

Two Falangists have come to disturb the domestic evening rituals of Paz and her family. Pedro Peralta’s talent celebrates the dignity of his fearless protagonist.

Meryam Joobeur’s major festival hit, exploring the tensions within a Tunisian family, is cinematically and ethically flawless.