Archive

Gerard Ortín Castellví mixes his anthropological interests with his creative curiosities and turns his camera towards automated greenhouses in Agrilogistics.

In her debut film, Maria Estela Paiso presents a walk down memory lane as a horror show. The end of the world is nigh and frogs are raining down from the sky.

Mulika is a perfect example of Africanfuturism, reconnecting local African heritage to the optimism inherent to Black contemporary sci-fi tales.

A father and daughter walk through a dark forest at night, listening to mysterious noises and looking up at the stars in Lizete Upīte’s delightfully minimalistic film.

Loneliness plays a crucial role in Evi Kalogiropoulou’s coming-of-touch story.

Focusing on a boy who finds dark spots covering his arms, Sarina Nihei’s narrative expands into a vast conspiracy.

Niki Lindroth von Bahr's Something to Remember portrays the anguish experienced by a highly developed society and its pessimism towards an inevitable demise.

In the face of reality’s horror show and an Earth engulfed by flame, Wong Ping delivers pointed critiques, as laser focused as any satirist working in cinema.