Clermont-Ferrand International Short Film Festival
31.01—08.02.2025
The lines are long. Once you enter the Maison de la Culture on the Boulevard François Mitterand, you can already feel the buzz of an eclectic mix of festival-goers, filmmakers, and industry guests. If you’re looking to put up your posters somewhere, you’d better be fast, as the many available spots will quickly fill up, promoting the over 400 short films screening at the festival. On the many levels of this somewhat complex building structure with its myriad of staircases, you will surely find tired festival goers slumping in bean bags on the floor. This comes as no surprise, for the festival is one of the biggest—if not the biggest—short film event of the year, and anyone attending will have their work cut out.
But back to the aforementioned long lines. Clermont-Ferrand might not just be the biggest short film event of the year but also the one with the longest lines. Nowhere else will audiences queue up to watch short films like they do in Clermont. La Salle Jean-Cocteau is the festival’s biggest theatre hall, with a total of 1,377 seats. Yes, you read that correctly. And these seats are usually all taken, even though screenings start as early as 09:30. The audience is loyal and invested: we are in France, after all. If you take a closer look at the lines of people eagerly awaiting to enter the cinema, you will find all kinds: from young students about to experience their first short film screening to retired people who have come to the festival for all of their lives, or maybe even since the birth of the festival.
Originally called Short Film Week and held by the Clermont-Ferrand University Film Society for the first time in 1979, the festival inaugurated its first competitive section a few years later, in 1982. In 1986, it added the first Short Film Market to its activities, which has since become one of the first big industry events of the year. Held in a gym—yes, an actual gym—just across the road from La Maison de la Culture, the market is the place to be for the short film industry. Representatives from around the world present films at their country booths, lure the market guests with happy hours or engage in talks on joint activities. The market is the perfect spot to network and meet people from all over the world because from Colombia to Taiwan, from South Africa to Iceland—everyone is here in this repurposed sports hall.
If you need to get away from the festival buzz for a bit to re-energize, you might want to take a walk through the old town centre or a ride on one of the city trams before you re-join your peers at the l’Univers, one of the festival’s meeting spots for the night. But beware, you might lose sense of time there and eventually find yourself slumped in one of those bean bags the following day.
Text by Anne Gaschütz
Reading List

Noel Keserwany on Golden Bear Winner Les Chenilles


Nikola Ilić on Exit Through the Cuckoo’s Nest

Mast-del by Maryam Tafakory

looking she said I forget by Naomi Pacifique
Reading List

Basil Da Cunha on 2720

Long Time No See by Kevin Biele

The Miracle by Nienke Deutz

27 by Flóra Anna Buda

Cul-de-Sac by Mário Macedo, Vanja Vascarac

A Kind of Testament by Stephen Vuillemin

All Inclusive by Corina Schwingruber Ilić

Love, Dad by Diana Cam Van Nguyen

Sisters by Katarina Rešek Kukla

All Gucci My Broski by Harry Plowden

La Perra by Carla Melo Gampert
Reading List

backflip by Nikita Diakur

Will My Parents Come to See Me by Mo Harawe

Airhostess-737 by Thanasis Neofotistos

On The Japanese Artist’s Singular Work

Cherries by Vytautas Katkus

Richard Misek on A History of the World According to Getty Images

Neighbour Abdi by Douwe Dijkstra

The Devil by Jan Bujnowski

Mulika by Maisha Maene

An Avocado Pit by Ary Zara

The Sower of Stars by Lois Patiño

Will You Look At Me by Shuli Huang

Skinned by Joachim Hérissé

Nothing Holier Than a Dolphin by Isabella Margara
Reading List

Steakhouse by Špela Čadež

Deconstructing Realism In The Modern Day

Neon Phantom by Leonardo Martinelli

Noir-Soleil by Marie Larrivé


Late Blooming In A Lonely Summer Day by Sein Lyan Tun

O Que Resta by Daniel Soares

Love, Dad by Diana Cam Van Nguyen

Lemongrass Girl by Pom Bunsermvicha

Sierra by Sander Joon

Meet Doug by Théo Jollet