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Talking Shortstalkingshorts.com

Leuven International Short Film Festival
28.11—06.12.2025

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Founded in 1995 as an excuse to showcase the founders’ own student shorts, the now EFA-, BAFTA- & Oscar-qualifying festival hasn’t lost its initial goal, always putting young, emerging film talent front and center. Taking place around the first weekend of December, the usually cold Belgian weather is easily countered by the many opportunities for filmmakers—both local and European—and their audiences to meet and mingle.

The Leuven Short Film Festival team is housed by Fonk vzw, an association also helming the year-round programme at Cinema Zed (Leuven’s prime arthouse cinema venue), the documentary festival Docville and the short film and documentary distribution company Dalton Distribution—among many other initiatives, actually. Fonk’s love for cinema knows no boundaries: the festival features large Flemish and European competitions, showcasing the best fiction shorts of said regions. Other highlights include animation and experimental filmmaking from all over the globe presented in side programmes, alongside an artist and European country focus.

© Bavo Nys
© Bavo Nys
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DSC_2641 (2)

With its HQ at the Art Center STUK, all festival venues are gathered within a radius of 500 metres, providing a cosy and homely atmosphere for visitors. STUK’s central square has proven to be an excellent site for many different occasions: in recent years, you could find a Finnish sauna and extra large gaming arcade there—reflecting the Country In Focus or festival theme, respectively.

The festival also hosts the distribution of the Flemish Audiovisual Fund Wildcards, considered the biggest monetary film prizes for student films in the Flemish region, making Leuven’s award ceremony a much anticipated (and often quite emotional) event for Flemish film students.

Text by Niels Putman

Reading List

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The Leash of Love

Sit. Play. Stay. by Cecilie Flyger Hansen

Review by Ilo Tuule Rajand
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Beyond Black and White

Her Name is Ida by Oscar Bøe

Review by Klara Jovanov
}
All Welcome?

Sorry I am late (but I brought a choir) by Håkon Anton Olavsen

Review by Khushi Jain
}
The Chant of Resistance

Barlebas by Malu Janssen

Review by Lina Heimann
}
Inside My Head

Genealogy of Violence by Mohamed Bourouissa

Review by Rafael Fonseca
}
Memory in Textures
Recalling Experiences Through Surfaces and Matter
Essay by Eneos Çarka
}
Blind Date

First Sight by Andrew McGee

Review by Tianyu Jiang
}
Keep Filming
Palestinian Short Films Towards Liberation
Essay by Öykü Sofuoğlu
}
Blurred Lines

The Oasis I Deserve by Inès Sieulle

Review by Yan Guan Rosanna Suter
2nd Person}
Confessions Of A City Dweller

2nd Person by Rita Barbosa

Review by Nino Kovačić
}
A Christmas From Hell

Zima by Tomek Popakul, Kasumi Ozeki

Review by Ebba Yttermyr
}
Flowing Femininity

The One Who Knows by Eglė Davidavičė

Review by Grete Kaio, Liene Helēna Nugumanova, Kamilė Zinkevičiūtė
}
Emptied Away

The Veiled City by Natalie Cubides-Brady

Review by Jason Todd
A Kind of Testament}
You Are Being Watched

A Kind of Testament by Stephen Vuillemin

Review by Michiel Philippaerts
Ardent Other}
Republic on Fire

Ardent Other by Alice Brygo

Review by Zachary Seager

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The Birthday Party (Francesco Sossai, 2023)}
I Hate and I Love

The Birthday Party by Francesco Sossai

Review by Zachary Seager
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Honouring a Place
Basil Da Cunha on 2720
Interview with Basil Da Cunha by Olivia Popp
Daydreaming So Vividly About Our Spanish Holidays}
Empire of the Sun

Daydreaming So Vividly About Our Spanish Holidays by Christian Avilés

Review by Olivia Popp
Cul-de-Sac}
The World is Our Playground

Cul-de-Sac by Mário Macedo, Vanja Vascarac

Review by Marina Zigneli
Loading Love}
Second Chances

Loading Love by Viktor Granö

Review by Jan Tracz
Land der Berge}
At Any Cost: An East European Immigrant’s Plight

Land der Berge by Olga Kosanović

Review by Monika Navickaitė
All Gucci My Broski}
The Cycle of Existential Chaos

All Gucci My Broski by Harry Plowden

Review by Emel-Elizabeth Tuulik
Je veux déguster}
Joie De Vivre?

Je veux déguster by Léo-Antonin Lutinier

Review by Korée Wilrycx
Square the Circle}
Spheres Of Consciousness

Square the Circle by Hanna Hovitie

Review by Anas Sareen
}
See Through People

The Miracle by Nienke Deutz

Review by Daria Janke
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The Dog Days Are Over

La Perra by Carla Melo Gampert

Review by Ebba Yttermyr
}
Scratching the Surface

A Study of Empathy by Hilke Rönnfeldt

Review by Claudius Kesseböhmer

Reading List

backflip}
8.640 Jumps A Day

backflip by Nikita Diakur

Review by Jason Todd
Nest}
Carved in Time

Nest by Hlynur Pálmason

Review by Niv Fux

Reading List

}
A gentle farewell

Dad's Sneakers by Olha Zhurba

Review by Mariana Hristova
}
Stuck in the Pinball Machine

Fading Snow by Ania Morawiec

Review by Bo Alfaro Decreton
Love, Dad}
A Prison of Letters

Love, Dad by Diana Cam Van Nguyen

Review by Michiel Philippaerts
Techno, Mama}
Love Is A Tough Game

Techno, Mama by Saulius Baradinskas

Review by Jason Todd
Something To Remember}
Both Portrayal and Fable

Something To Remember by Niki Lindroth von Bahr

Review by Jue Yang

Reading List

Brotherhood}
Of Fathers And Sons… And Daughters-In-Law

Brotherhood by Meryam Joobeur

Review by Vladan Petković
}
Memory Ashes

Maalbeek by Ismaël Joffroy Chandoutis

Review by Inge Coolsaet
}
Future Nostalgia

Past Perfect by Jorge Jácome

Review by Bo Alfaro Decreton
}
Crime & Solidarity

Dummy by Laurynas Bareisa

Review by Līga Požarska
Symbiosis}
Patterns Of Modern Jealousy

Symbiosis by Nadja Andrasev

Review by Līga Požarska

Reading List

All Inclusive}
Utopiyin, Utopiyang

All Inclusive by Corina Schwingruber Ilić

Review by Sanne Jehoul
}
Summer secrets

Provence by Kato De Boeck

Review by Ricardo Brunn
}
Swan Song of a Rooster

Tungrus by Rishi Chandna

Review by Līga Požarska
}
We Built This City

Operation Jane Walk by Robin Klengel, Leonard Müllner

Review by Michiel Philippaerts
}
Clash of the titans

Elvis: Strung Out by Mark Oliver

Review by Ricardo Brunn
Perpetual Night}
Nocturnal Nurturing

Perpetual Night by Pedro Peralta

Review by Inge Coolsaet
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Short films are key to cinematic innovation. Because of their brevity, they allow filmmakers to react to the world around them more instinctively and showcase a stunning range of artistic expressions. As a magazine dedicated to short films, Talking Shorts aims to create a wider discourse about this often-overlooked art form.

We strive to produce universally readable content that can inspire, cultivate, and educate a broad range of audiences, from students and scholars to non-cinephile readers, in an attempt to connect filmmakers, audiences, festival organisers, and a young generation of film lovers who might not yet know what short films are or can do.

Since 2023, Talking Shorts is the official outlet of The European Network for Film Discourse (The END), which consists of 8 unique and diverse European film festivals and is funded by the Creative Europe MEDIA Programme of the European Union. Our work and publications are closely connected to the (European) film festival landscape.

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