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Talking Shortstalkingshorts.com

London Short Film Festival
17—26.01.2025

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published in Festivals
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Big cities can be quite overwhelming. For one, it might be difficult to keep up with your social and cultural calendar since too many exciting events take place every day. If that city happens to be London with its almost nine million citizens, the task of organising a relevant annual event might become almost impossible. And yet, the London Short Film Festival has been doing just that for over twenty years now. Founded in 2003 by Philip Ilson, the festival has become a staple in the London cultural calendar and beyond.

Conveniently placed in January—when we’re still recovering from the festive holidays while at the same time energetically preparing for the twelve months to come—the festival is one of the year’s first highlights. With its numerous venues spread across London, it also provides a perfect opportunity to discover the city and the festival at the same time. Its programming is quite diverse, from new and exciting short films in the competition sections to very lovingly curated special programmes, often focused on under-represented films and communities. One of the festival’s strengths is its ability to curate compelling interdisciplinary events that go way beyond the normative short film screenings. With a young and enthusiastic team creating new and stimulating spaces to breach the gap between the audience and the audiovisual—often held in interesting locations only a city like London can offer—the festival gives off a hip and contemporary vibe without it feeling forced.

Like many cultural institutions in the UK right now, the festival also sees itself faced with funding cuts and the increasing costs of running a cultural event. However, the fact that it has existed in a city like London for over two decades gives room for hope that this creative team will be able to secure the festival’s rightful spot in the short film calendar for at least another twenty years.

Text by Anne Gaschütz

Reading List

}
(Not So) Forbidden Pleasures
“Dark Fantasies” at London Short Film Festival 2025
Essay by Savina Petkova
}
Blurred Lines

The Oasis I Deserve by Inès Sieulle

Review by Yan Guan Rosanna Suter
}
Memory in Textures
Recalling Experiences Through Surfaces and Matter
Essay by Eneos Çarka
}
Bathroom Blues

looking she said I forget by Naomi Pacifique

Review by Savina Petkova
Cul-de-Sac}
The World is Our Playground

Cul-de-Sac by Mário Macedo, Vanja Vascarac

Review by Marina Zigneli
}
Not So Gentle Giants
Alessandro Novelli on De Imperio
Interview with Alessandro Novelli by Claudius Kesseböhmer
Chasing the Sun: El Shatt}
Mirages of the Past

Chasing the Sun: El Shatt by Ana Bilankov

Review by Öykü Sofuoğlu
}
Return to Cuckooland
Nikola Ilić on Exit Through the Cuckoo’s Nest
Interview with Nikola Ilić by Antoni Konieczny
Slimane (Carlos Pereira, 2023)}
Embracing Uncertainty
Carlos Pereira on Slimane
Interview with Carlos Pereira by Yan Guan Rosanna Suter

Reading List

}
The Fall of Innocence

The Fall of Communism as Seen in Gay Pornography by William E. Jones

Review by Ren Scateni
}
Size Matters? Shorts, Porn, and Malleable Desires
Four Chambers’ Vex Ashley on Making and Curating Porn
Interview with Vex Ashley by Savina Petkova
Watch The Fire Or Burn Inside It}
Another Sunny Day

Watch The Fire Or Burn Inside It by Caroline Poggi, Jonathan Vinel

Review by Jason Todd
A Kind of Testament}
You Are Being Watched

A Kind of Testament by Stephen Vuillemin

Review by Michiel Philippaerts
Alpha Kings}
Alphaland

Alpha Kings by Faye Tsakas, Enrique Pedráza-Botero

Review by Anas Sareen
}
Desiring Young Woman

27 by Flóra Anna Buda

Review by Savina Petkova
}
Emptied Away

The Veiled City by Natalie Cubides-Brady

Review by Jason Todd
Lake of Fire}
The Rhythm of Apocalypse

Lake of Fire by Neozoon

Review by Simon Schäfer
*Jill, Uncredited* (Anthony Ing, 2022)}
Which Direction Home?
How Different Sources of Capital Direct Our Personal Agency
Essay by Fedor Tot
All Gucci My Broski}
The Cycle of Existential Chaos

All Gucci My Broski by Harry Plowden

Review by Emel-Elizabeth Tuulik

Reading List

O, Glory!}
Tripping Through Folk Horror

O, Glory! by Charlie Edward-Moss, Joe Williams

Review by Agnès Houghton-Boyle
From Heaven is Cali}
The Dancer’s Paradox
T A P E Presents: It’s a Trance, It’s a Dance
Essay by Savina Petkova
}
Brazil’s Political Ghosts
Janaina Wagner On Curupira and the Machine of the Destiny
Interview with Janaina Wagner by Savina Petkova

Reading List

An Avocado Pit}
Living On The Threshold

An Avocado Pit by Ary Zara

Review by Sam Moore

Reading List

}
Neon Drenched Horror

Wong Ping’s Fables 2 by Wong Ping

Review by Chris Childs

Reading List

}
Nervous Anticipations

The Bite by Isadora Neves Marques

Review by Līga Požarska
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Footnotes

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London Short Film Festival — Talking Shorts

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Short films are key to cinematic innovation. Because of their brevity, they allow filmmakers to react to the world around them more instinctively and showcase a stunning range of artistic expressions. As a magazine dedicated to short films, Talking Shorts aims to create a wider discourse about this often-overlooked art form.

We strive to produce universally readable content that can inspire, cultivate, and educate a broad range of audiences, from students and scholars to non-cinephile readers, in an attempt to connect filmmakers, audiences, festival organisers, and a young generation of film lovers who might not yet know what short films are or can do.

Since 2023, Talking Shorts is the official outlet of The European Network for Film Discourse (The END), which consists of 8 unique and diverse European film festivals and is funded by the Creative Europe MEDIA Programme of the European Union. Our work and publications are closely connected to the (European) film festival landscape.

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