Archive

A humorous and quietly sharp observational documentary set aboard a cruise ship.

A portrait of an eccentric and passionate man, who works all year long sewing and beading a decadent costume that he will wear only once—on the annual Mardi Gras parade.

Jorge Jácome presents time in an associative series of hypnotic rêveries—an ode to the past so bittersweet that we have to be repelled from it at one point.

The Killing of Čáhcerávga is not one, but five films. Each a manifesto, these films—like chapters in a book—form a cross-section of questions and statements on indigeneity, otherness, and longing.