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FeKK Ljubljana Short Film Festival
18—23.08.2025

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There’s a certain charm exhuming from film festivals helmed by small teams. You can almost smell the love for the art form from miles away; cinephilia is truly at the core of why these people are running from A to B on a daily basis to ensure the audience gets the best viewing experience.

This is exactly the case with the FeKK Ljubljana Short Film Festival: smaller in terms of budget and team size, especially compared to other European short film festivals, but all the more engaging. Cosy indoor venues (some of them at the Slovenian Cinematheque, which is really worth a visit on its own) are contrasted with outdoor screenings (if the weather allows for it).

But the real selling point for FeKK Ljubljana Short Film Festival is their bold programming choices—not only in several greatly curated retrospective programmes, but also in the Balkan and Slovenian competitions that highlight the best of the region. To put proof to the test: last year’s Grand Prix winner—David Paige’s Harnessing—is a real gem of a film that (undeservingly) hardly screened anywhere else but in Ljubljana.

If you have the chance to visit, don’t miss out on this cute festival; hardcore cinephiles will absolutely love it.

Text by Niels Putman

Reading List

}
Memory in Textures
Recalling Experiences Through Surfaces and Matter
Essay by Eneos Çarka
}
Inside the Small Research Department
Radu Jude’s Short Films
Interview with Radu Jude by Hugo Emmerzael
Land der Berge}
At Any Cost: An East European Immigrant’s Plight

Land der Berge by Olga Kosanović

Review by Monika Navickaitė
}
Return to Cuckooland
Nikola Ilić on Exit Through the Cuckoo’s Nest
Interview with Nikola Ilić by Antoni Konieczny
*Jill, Uncredited* (Anthony Ing, 2022)}
Which Direction Home?
How Different Sources of Capital Direct Our Personal Agency
Essay by Fedor Tot
}
Skirts Without Scots

Juck [Thrust] by Olivia Kasterbring, Julia Gumpert, Ulrika Bandeira

Review by Susanne Meisenberg

Reading List

News From Home}
Big City Life
On Chantal Akerman’s Shorts
Essay by Michaël Van Remoortere
A.I. Poetries of Female and Non-Female Beings in Gas Stations at Night}
The Human Factor Behind A.I.

A.I. Poetries of Female and Non-Female Beings in Gas Stations at Night by Cristina Iliescu

Review by Agnès Houghton-Boyle
Chasing the Sun: El Shatt}
Mirages of the Past

Chasing the Sun: El Shatt by Ana Bilankov

Review by Öykü Sofuoğlu
Nothing Holier Than a Dolphin}
Dazed and Confused in Translation

Nothing Holier Than a Dolphin by Isabella Margara

Review by Francesco Bacci
Late Winter}
A Militantly Human Dementia Tale

Late Winter by Jasna Safić

Review by Florian Saerens
Will You Look At Me}
Tracing The Invisible

Will You Look At Me by Shuli Huang

Review by Niv Fux

Reading List

A Lack of Clarity}
Reframing the Framer

A Lack of Clarity by Stefan Kruse Jørgensen

Review by Leonardo Govoni
}
Nervous Anticipations

The Bite by Isadora Neves Marques

Review by Līga Požarska
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Footnotes

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FeKK Ljubljana Short Film Festival — Talking Shorts

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Short films are key to cinematic innovation. Because of their brevity, they allow filmmakers to react to the world around them more instinctively and showcase a stunning range of artistic expressions. As a magazine dedicated to short films, Talking Shorts aims to create a wider discourse about this often-overlooked art form.

We strive to produce universally readable content that can inspire, cultivate, and educate a broad range of audiences, from students and scholars to non-cinephile readers, in an attempt to connect filmmakers, audiences, festival organisers, and a young generation of film lovers who might not yet know what short films are or can do.

Since 2023, Talking Shorts is the official outlet of The European Network for Film Discourse (The END), which consists of 8 unique and diverse European film festivals and is funded by the Creative Europe MEDIA Programme of the European Union. Our work and publications are closely connected to the (European) film festival landscape.

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